Exercising restraint doesn’t mean giving up on luxury and glamour. Just ask interior designers Jamie Drake and Caleb Anderson of the firm Drake/Anderson, who took a subtle yet detailed approach when tackling a floor-through Manhattan residence in Tribeca. This was their fourth time working with the bicoastal couple, who purchased two three-bedroom units totaling 7,300 square feet before the tower was even constructed. (They have since embarked on a fifth project together.) “This time, we wanted the palette to be quieter than any of our past collaborations,” says Drake. “We were very much attuned to the layout and programmatic needs.”
“It’s all about the views here,” says Anderson. In fact, the 360-degree vistas are what prompted the designers to rework their initial plan for combining the two apartments. “We had finished a scheme before the building was done, but once we got into the raw space we realized that it didn’t address everything it needed to, such as open sight lines from north to south and east to west,” explains Drake. “In reconfiguring the space, it became much more complex in terms of demolition and construction than we had anticipated.”
An abaca wall covering by Pietro Seminelli creates a serene background in the main bedroom. Custom parchment-and-lacquer tables topped with lamps by Mattia Bonetti flank a Drake/Anderson−designed velvet bed, and the rug is by BDDW.
Ultimately, Drake and Anderson devised a four-bedroom layout that includes two great rooms, a media room, an office, a wine cellar, and a gym. The entire western exposure serves as one expansive entertaining space, with a sitting area, kitchen, and long custom dining table (the homeowners are food and wine aficionados and enjoy hosting dinner parties). On the opposite side of the residence, the east great room and an adjacent media room provide additional opportunities for entertaining smaller groups or simply watching television. “Having several different seating zones helps create intimacy within a large apartment,” notes Anderson. And despite the fact that there were several pesky mechanical features that couldn’t be moved, the designers were able to sneak a clever interior window between the foyer and west great room, realizing their goal of having a sight line between the east and west ends of the residence. Such innovative solutions can be found throughout the home, from the lima bean−shaped pedestal in the foyer that conceals an immovable pipe, to the massive mechanical column in the east great room that now looks completely intentional, thanks to its custom metallic finish by Manhattan-based decorative painters Atelier Premiere.
In the end, no space was left untouched, with all new kitchen and bath surfaces, millwork, flooring, threshold and soffit details, and custom column and wall treatments. Even the ceilings received some love in the form of strategically placed sculptural curves that “provide a contrast to the linear architecture of the exterior,” notes Anderson. In some areas, the ceiling actually flares up toward the windows, enhancing the drama of the skyline beyond.
Longtime clients tapped designers Jamie Drake and Caleb Anderson of Drake/Anderson to combine two units in a Tribeca tower. The new kitchen in the resulting full-floor residence features ebonized-oak cabinetry, a bronze hood, a Cristallo quartzite island, and a light fixture by Lambert & Fils. When you buy something through a retail link on Architectural Digest, we may earn an affiliate commission.
Longtime clients tapped designers Jamie Drake and Caleb Anderson of Drake/Anderson to combine two units in a Tribeca tower. The new kitchen in the resulting full-floor residence features ebonized-oak cabinetry, a bronze hood, a Cristallo quartzite island, and a light fixture by . When you buy something through a retail link on Architectural Digest, we may earn an affiliate commission.
A maple-and-marble table by John Eric Byers from is paired with custom armchairs in a fabric in the breakfast area. “This is my favorite spot because of the view south, down to the Statue of Liberty,” says Drake.
A light fixture by Frederik Molenschot is suspended above a Drake/Anderson–designed dining table and chairs from . The structural columns are treated with a Marmorino plaster finish, and new white oak flooring was installed throughout.
This living area, along with the kitchen and dining area, compose the west great room, which was designed with entertaining in mind. A custom velvet sectional is joined by an cocktail table from Lynx Interiors, a chair by Natasha Baradaran from , floor lamps from the , and a rug by . The polished bronze bench by the Haas Brothers is from , and the vintage glass lamp by the window is from .
A waterproof Venetian plaster treatment by envelops the wine room, which is lined with custom brass-and-oak shelving from .
In the media room, which features a plaster wall finish by , lamps from flank a Drake/Anderson−designed sofa that’s upholstered in a velvet. The Stefan Bishop cocktail table is from , the chair is by , the Philip Nimmo sideboard is from , and the artwork is by Matthias Meyer.
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