本帖最后由 JKMM 于 2019-12-30 17:12 编辑
地下博物馆,通过独特的屋顶结构与城市形成连接
Amos Rex艺术博物馆坐落在赫尔辛基市中心,与建造于1920年代的议会大厦隔路相望,斜对面是Steven Holl设计的Kiasma博物馆。 Located in the heart of the city, Amos Rex is sited across from the 1920s classicist Parliament building and diagonally opposite the Steven Holl designed Kiasma Museum.
▼项目概览,project overview
在进入Amos Rex艺术博物馆之前首先要穿过“Lasipalatsi”(玻璃宫殿),这是一座修建于1930年代的功能主义建筑,涵盖了餐厅、商店、Bio Rex电影院以及后方的开放式广场。 Amos Rex艺术博物馆的所有展厅均位于地下:Lasipalatsi广场下方容纳了6230平方米的建筑空间,这一大胆的做法主要是考虑到了周围古典建筑敏感的历史背景。
▼平面图,plan
The entrance to Amos Rex is through Lasipalatsi (“glass palace”), a distinguished 1930s Functionalist pavilion comprising restaurants, shops, the Bio Rex cinema and an open square behind it. All the new build gallery spaces of Amos Rex, however, are underground. This radical approach to designing a 6,230 square metre building below Lasipalatsi Square was driven by the historically sensitive context of the neighbouring 19th century neo-classical barracks. The listing of the barracks was contingent on the retention of the former military parade ground – now Lasipalatsi Square – as an unbuilt open public space.
▼进入博物馆之前要经过“Lasipalatsi”玻璃宫殿,the entrance to Amos Rex is through Lasipalatsi
JKMM与城市规划部门共同合作,旨在让Lasipalatsi广场作为赫尔辛基重要的城市空间继续发挥作用,同时使公众能够充分欣赏并体验Amos Rex博物馆的全新屋顶景观。造型极为独特的屋顶结构将自然光引入地下展览空间,并在地面上创造出一种前所未有的地理形态:起伏的轮廓展示了城市公园的理念,同时与既有的广场形成和谐的关系。
▼Amos Rex博物馆的全新屋顶景观,the roofscape: Amos Rex’s only visible new built elevation
JKMM worked with the City planners to determine how Lasipalatsi Square would remain as an important civic space within Helsinki while also allowing the public to enjoy Amos Rex’s only visible new built elevation, its roofscape. The solution came in the form of highly sculptural roof lights that also address the challenge of bringing daylight into the subterranean exhibition spaces. The roof lights create a new topography, their gently rolling forms playing on the idea of an urban park in keeping with the integrity of the square.
▼造型极为独特的屋顶结构将自然光引入地下展览空间,the highly sculptural roof lights address the challenge of bringing daylight into the subterranean exhibition spaces
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