ATIC ARIBAU
该项目包括对位于Aribau和Roselló街道交汇处的110平方米宽敞公寓的全面改造,外立面位于巴塞罗那CerdàEixample的特色倒角之一。
新居民是几个本地创意工作者,提出了一些要求,即公寓的现有状态(已细分和过时)不符合要求,因此拆除了所有内部隔断,但尊重承重墙平行的结构性隔墙系统到立面,这些倒角块非常有特色。
该项目提出了一个垂直于立面的长橡木地板,用于容纳卧室,更衣室和工作室,以及宽敞的壁橱和支撑区域。该正面用作内部立面,并在其上横向投影了三个功能块。最外面是起居区,有一个联合起居室-餐厅-厨房。该砌块利用了倒角立面的所有发展,并揭示了其整个长度。同样,木制隔断也不会碰到立面,因为它被大面积的漆木旋转门打断,而垂直的黄铜条与木材接触而没有框架,因此整个外墙可以不间断地理解,统一的方式。
一组浴室,储藏室和厨房位于现有结构墙的另一侧。主浴室设计为两个空间:第一个空间带有釉面和漆面铁制前面板,浴缸,洗脸池和闺房区域位于该空间中。第二个是带有两个小木屋的私人区域,一个小木屋用于抽水马桶,另一个小木屋专门用于宽敞的淋浴间。在公寓的内端,有第三个街区,设有客用浴室和可容纳情侣猫的空间。
质地,材料和颜色以橡木为主,与混凝土,微水泥或大块彩色木板的灰色调更为宁静。保留在木制前板后面的地板是木制的,同样是橡木的,但色调较浅,这些房间更居家。室内地板的其余部分则由连续的灰色微型砂浆制成,在主浴室中变为粉红色。
花岗岩,拉丝铜制成的门把手和水龙头,带有黄铜镶嵌物的旋转木门,具有不同质感的玻璃...以细微的音符形式增加了更大的材料丰富度,也表明了材料之间的接合和过渡。
作为地毯或内部路径,布置了从前地板回收的液压六角形瓷砖,覆盖了倒角立面的整个长度,恰好指出了倒角本身在提案的概念开发中的重要性。平铺的路径也由细长的圆柱形灯照亮,并通过人工照明突出显示该路径。
最终,在倒角的中心安装了一个秋千,为客户带来了非常有趣的音符。
[color=rgba(0, 0, 0, 0.35)]The project encompasses the comprehensive reform of a spacious apartment of 110 square meters located at the intersection of Aribau and Roselló streets, with façade to one of the characteristic chamfers of Cerdà’s Eixample in Barcelona. The new inhabitants, a couple of local creatives, presented some requirements that the existing state of the apartment, quite subdivided and outdated, did not meet, so all the interior partitions were demolished, but respecting the system of structural bays of load bearing walls parallel to the facade, something very characteristic of these chamfer blocks.
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The project proposes a long front of oak wood, perpendicular to the façade, which houses the bedroom, the dressing room and the studio, as well as generous closets and support areas. This front serves as the interior façade, and three functional blocks are projected on it transversely. The outermost is the block of living areas, with a joint living room-dining room-kitchen. This block takes advantage of all the development of the façade of the chamfer, and reveals its entire length. Likewise, the wooden partition does not touch the façade, as it is interrupted giving way to large pivoting doors of lacquered wood with vertical strips of brass in contact with the wood, without frames, so that the entire facade can be understood in an uninterrupted, unitary way.
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[color=rgba(0, 0, 0, 0.349019607843137)][color=rgba(0, 0, 0, 0.35)]A block of bathrooms, storage and pantry is located on the other side of the existing structural wall. The main bathroom is designed as two spaces: a first one with a glazed and lacquered iron front, where the bathtub, the washbasin, and the boudoir area are located; and a second more private area with two cabins, one for the water closet and another one devoted to a huge shower space.
At the inner end of the apartment there is a third block with the guest bathroom and the room for the couple's cats.
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The textures, materials and colors are dominated by the oak wood, which contrasts with a more serene palette of grays of concrete, microcement, or mass colored wooden boards. The flooring that remains behind the wooden front is a wooden one, also of oak, but of a lighter tone, these rooms being more domestic; while the rest of the interior flooring is made of continuous grey micro-mortar, shifting to pink in the master bathroom.
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[color=rgba(0, 0, 0, 0.349019607843137)][color=rgba(0, 0, 0, 0.35)]Granites, door handles and faucets made of brushed copper, pivoting wooden doors with brass inlays, glass with different textures ... add greater material richness in the form of subtle notes, also indicating the joints and transitions between materials.
As a carpet, or interior path, hydraulic hexagonal tiles recovered from the former flooring are arranged, covering the entire length of the chamfer façade, pointing out precisely the importance of the chamfer itself in the conceptual development of the proposal. This tiled path is also illuminated by long and narrow cylindrical lamps, highlighting this path by means of artificial lighting.
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Finally, a swing was installed in the center of the chamfer, introducing a playful note much desired by the clients.